The Scott 102 release of "Underwater" was not the first release, but a later reissue. After the British Invasion in 1965, the group changed their name to the Magnificent VII and continued as recording musicians at Western Studios. At the Revelaire Club, the Nocturnes backed Caesar & Cleo (Sonny and Cher), The Coasters, the Ventures, Round Robin and the Rivingtons and many others. They played regularly over 2 years at Disneyland and worked as the house band at the Revelaire Club in Redondo Beach as a result of beating the Crossfires in a battle of the bands contest. As the Nocturnes, the group played at every high school and Jr. Bruce McCoy and Paul Floodman remember their first show in 1963 was at the Glacier Falls Ice Skating Rink and the boys remember that show as being very cold! They went on to play Supermarket openings, Rendesvous Ballroom in Balboa, Retail Clerks Ballroom in Buena Park where they backed Eddie and the Showman, and won most of the battle of the bands contests that were happening in the area. High and High School dances and with a personnel change in 1963, they became the Nocturnes. ![]() The Nocturnes Began in Anaheim California in 1961 as the Vi-Counts playing various Jr. In December 1962, the group recorded and released "Pipeline", which peaked at No. Bob Spickard, Brian Carman (co-writers of "Pipeline"), Bob Welch, Warren Waters and Rob Marshall were all students at Santa Ana High School in California, when a local group called the Rhythm Rockers inspired them to form the Chantays. The Chantays were formed in 1961 by five high-school friends. Johnson confirmed this story in the liner notes he contributed to The Bel-Airs reunion album released in 1986. The argument escalated until Bertrand finally left the band which then broke up for good shortly after. Even at 17, Johnson was something of an independent thinker and told Bertrand that The Bel-Airs had done quite well without reverb and he didn't see any reason at all to begin using it. He felt reverb was the sound that would come to define surf music. In early 1963, Eddie Bertrand heard Dick Dale using the Fender reverb unit and wanted to start incorporating heavy reverb into The Bel-Airs songs. The Bel-Airs were originally formed by two guitarists, Eddie Bertrand and Paul Johnson, both 16 years old at the time they recorded "Mr. Their potential was cited by many, but it was an argument about use of the then new Fender reverb unit that led to their breakup. Moto", an instrumental surf rock song, written by guitarist Paul Johnson, that featured a flamenco-inspired intro and contained a melodic piano interlude. They were best known for their 1961 hit "Mr. ![]() The Bel-Airs were still in high school at the time. Dale's events at the ballrooms, called "stomps," quickly became legendary, and the events routinely sold out. The Rendezvous ownership and the city of Newport Beach agreed to Dale's request on the condition that he prohibit alcohol sales and implement a dress code. Dale successfully asked for permission to use the 3,000 person capacity ballroom for surfer dances after overcrowding at a local ice cream parlor where he performed made him seek other venues. In Wallonia (French Belgium) his single spent 40 weeks on the chart, also peaking at number 1.ĭale's performances at the Rendezvous Ballroom in Balboa in mid to late 1961 are credited with the creation of the surf music phenomenon. 1 on the singles sales chart in France (from 13 November to 13 December 1961 and from 13 January to 9 February 1962). His version (titled "Viens danser le twist") was released in 1961 and spent seven weeks in total at no. The song was covered in French by Johnny Hallyday. No.1 single (in September 1960 and again in January 1962 on re-release). ![]() The song refers to the Twist dance craze and Checker's 1960 single "The Twist", a two-time U.S. Billboard pop chart (No.3 on Cash Box ) in August of that year and subsequently reached No.2 in the UK in the spring of 1962. ![]() One of the biggest hit singles of 1961, it reached No.8 on the U.S. " Let's Twist Again " is a song written by Kal Mann and Dave Appell, and released as a single by Chubby Checker.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |